Supawich Weesapen

b. 1997, Ubon Ratchathani, Thailand. Lives and works in Bangkok, Thailand.

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Supawich Weesapen received his BFA in Painting from Silapakorn University. His practice examines human’s encountering with asynchronous nature and multiple disjointed realities, approaching the hidden sublime embedded within contemporary experience creating work of atmospheric intensity and radiance. Grounded in painting, his work extends across mixed media, poetry, and installation. Through these diverse forms, Weesapen evokes states of contemplative reverie and pursues inexpressible sensations emerging from human encounters with vast and influential environment. His work experiments with translucency, tonal contrast, luminous, and RGB-like chromatic intensity as a contemporary palette drawn from nature. In parallel, he interlaces mythology, scientific thought, local culture, and intersections of natural, spiritual, and cybernetic phenomena with current social concerns, constructing conspiracy-like narratives that reveal the entanglements between existential conditions, the unknown, and inner worlds.

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Recent exhibitions include Parallel II: INTERZONE, Udon-Thani City Church (2025); Thailand.Mekong-ASEAN Environmental Week, Nakhon Phanom (2025), Shared Currents, Shifting Grounds, Loei (2025); Bangkok Art Biennale (2024); In saying these things, I went to sleep, Nova Contemporary (2024); Made in the Dark, Clearing Gallery, (2023); The Comet and the Nostalgic Souls, Nova Contemporary (2023); All is Prettier. Part II: Arrival, 100 Tonson Foundation (2023); Qi, Nova Contemporary (2020). His works are part of prominent collections, including X Museum, Beijing; Samdani Art Foundation, Dhaka; and 129 Art Museum, Nakhon Ratchasima.​

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