Supawich Weesapen

b. 1997, Ubon Ratchathani, Thailand. Lives and works in Bangkok, Thailand.

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Supawich Weesapen received his BFA in Painting from Silapakorn University. He explores the hidden sublime and mysterious connections embedded in present-day environments. His practice centers on painting as a means of approaching speculative abstractions. Working across oil painting, mixed media, poetry and installation, Weesapen seeks to capture states of enigmatic reverie, pursuing ineffable sensations and forms that emerge from human encounters with vast, unknowable forces. He experiments with opacity, chiaroscuro, and RGB-like saturation as a contemporary color palette of nature. At the same time, he weaves together local folklore, intersections of natural-spiritual-cybernetic phenomena, scientific theories, and current social concerns into conspiracy-like narratives that reveal entanglements between existential conditions, the unknown, and inner worlds.

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Recent exhibitions include Parallel II: INTERZONE, Udon-Thani City Church (2025); Thailand.Mekong-ASEAN Environmental Week, Nakhon Phanom (2025), Shared Currents, Shifting Grounds, Loei (2025); Bangkok Art Biennale (2024); In saying these things, I went to sleep, Nova Contemporary (2024); Made in the Dark, Clearing Gallery, (2023); The Comet and the Nostalgic Souls, Nova Contemporary (2023); All is Prettier. Part II: Arrival, 100 Tonson Foundation (2023); Qi, Nova Contemporary (2020). His works are part of prominent collections, including X Museum, Beijing; Samdani Art Foundation, Dhaka; and 129 Art Museum, Nakhon Ratchasima.​

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